Pin-up Girls

Classic Vintage Pin-up Girl Art

Pin-up Girls



Pin-Up Girls – Thirties, Forties & Fifties

The desire for pin-up girls really came into it’s own with the development of the movie industry. Audiences flocked to see their favourite stars in their latest movie, and then sought to have their pictures on their bedroom walls or in magazines.

Soon fans were clamouring for photos of their favourite movie or theatre stars, and so an industry of glamorous photos to cheer people up in what was an era of drabness and war began.

Katherine Hepburn, Betty Grable, Maureen O’Hara to name but a few were made more famous by their photos being used on calendars, stuck on schoolboy lockers and in army barracks.

There were man’s ideal of the “perfect woman” and the movie studios invented fictitious life stories around them to make them even more appealing.

Pin-up girls represented everything an average woman in the street aspired to and reflected a glamorous side of life that was sadly missing in the forties and fifties.

In the thirties such stars as Vivien Leigh, Greta Garbo and Dorothy Lamour had graced our screens and given us all an outlet outside our ordinary lives. As it was gradually realised by the movie moguls that there was a great thirst for glamour pin-ups so the industry began to grow.

Central to all of this of course was the glamour photographer. Gradually these photographers became almost as famous as the models themselves, and by developing new ideas as to how to capture the best images possible, the pin-ups became more and more sophisticated.

The pin-up photo of Jane Russell in the film “The Outlaw” however caused quite a lot of controversy and was considered at the time to be extremely provocative and daring. How times have changed!

The servicemen’s lives during World War II were relieved by their pin-up photos which were plastered over the walls and lockers in their barracks. “Nose art” painted on the cockpit of planes became the norm and helped the men to face the horrors of the war and brought some normality to what was a terrible time in their lives.

The pin-up photographs became a tool in the advertising and music industry. It was soon realised that a glamorous woman’s photo could sell products such as washing machines, cars etc. So another industry was born.

The music industry used pin-up photos of the artists themselves to promote their new albums and so it was not just the movie stars that were being sought after.

Newspapers started to appreciate the selling power of the pin-up and began using more and more glamorous pin-up photos in their papers and magazines.

Agents for actresses and singers recognised an opportunity for free publicity and started to supply newspapers and magazines with photos of their clients for publication.

The fashion industry itself started to use glamorous stars to promote their designs and shows and so the pin-up girls became more and more in demand. What had started out as a trip to the theatre or cinema for relaxation and a time away from the day to day drudgery of everyday life became a huge and successful industry within itself.

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Pin up girl calendars


Pin up girl calendars were a pretty big deal in the forties and fifties. During world war 2 you would find them everywhere. Hollywood was a nice distraction for anyone involved in the war. The hottest movie stars of the day could be seen in Pin-up art on the walls of barracks and ships of soldiers and sailors. Aircraft often had pin up girls painted on the nose or front of the planes.

Later on the home front Pin up girl calendars continued to win the hearts of Americans. Artists like Gil Elvgren, Alberto Vargas and George Petty painted portraits of women in provocative positions. Calender makers like Teshan would assemble these fantastic prints by famous artists into yearly wall calendars. Pin up girl calendars often took the form of adverts by local companies hoping to promote their product of service.

A popular trend to this day is for mechanics to put calendar girls on the walls of their shops or garages. Of course the pin up art of the 40s and 50s were much more subtle. While some used partial nudity, usually the nudity was only just implied. The general idea here is “less is more”.

Elvgren did girl-next-door calendar pin-ups for Louis F. Dow, a leading American publisher. In the early-1940s, Brown & Bigelow offered him $1,000 per pin-up, and he signed a contract to produce 20 calendar girls a year for them.

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